{"id":49,"date":"2023-03-29T09:45:42","date_gmt":"2023-03-29T09:45:42","guid":{"rendered":"http:\/\/tomcat.ro\/?p=49"},"modified":"2024-07-08T08:16:12","modified_gmt":"2024-07-08T08:16:12","slug":"emulsive-org-an-on-the-cheap-private-investigation-into-european-bw-films-orwo-or-kentmere-to-be-or-not-to-be","status":"publish","type":"post","link":"https:\/\/tomcat.ro\/index.php\/2023\/03\/29\/emulsive-org-an-on-the-cheap-private-investigation-into-european-bw-films-orwo-or-kentmere-to-be-or-not-to-be\/","title":{"rendered":"EMULSIVE.ORG \u2013 an on-the-cheap private investigation into European BW films: Orwo or Kentmere, to be or not to be?"},"content":{"rendered":"\n<p>The whole idea behind this article started as I was looking into finding a \u201cdaily\u201d use black and white film, on the cheap, so that I could bulk roll my own. As I\u2019m from Europe (Romania, just one sharp right away from the Black Sea), I first looked into&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/emulsive.org\/articles\/every-single-film-stock-still-made-today-part-2-film-ferrania-to-hillvale#foma-bohemia-films\" target=\"_blank\">Foma Bohemia<\/a>&nbsp;films, which are quite nice (especially Fomapan 100 Classic in medium and large format) but unfortunately, they don\u2019t mostly live up to their rated speeds (in most developers, Fomapan 100 Classic is EI 80, Fomapan 200 Creative is EI 125,&nbsp;<a href=\"https:\/\/emulsive.org\/reviews\/film-reviews\/foma-film-reviews\/fomapan-400-arista-edu-ultra-400-infrared\" target=\"_blank\" rel=\"noreferrer noopener\">Fomapan 400 Action<\/a>&nbsp;is EI 250).<\/p>\n\n\n\n<p>While looking into alternate manufacturers, I managed to find ORWO\/Filmotec. A successor to GDR\u2019s famous&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/emulsive.org\/articles\/every-single-film-stock-still-made-today-part-5-oriental-to-rollei#orwo-films\" target=\"_blank\">ORWO<\/a>&nbsp;(<strong>OR<\/strong>iginal&nbsp;<strong>WO<\/strong>lfen) film manufacturer, they\u2019re still manufacturing film \u2013 mostly cinematography stocks. One of the articles that made up my mind to try ORWO is the one from&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.lusznat.de\/cms1\/index.php\/kamera\/news\/306-kodak-tri-x-vs-orwo-n74\" target=\"_blank\">lusznat.de<\/a>&nbsp;that put ORWO\u2019s N74 plus against&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/emulsive.org\/reviews\/film-reviews\/kodak-film-reviews\/kodak-tri-x-400-120-format\" target=\"_blank\">Kodak Tri-X 400<\/a>, a film stock that I really enjoy (but a bit rich for my blood). Lusznat also has a&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.lusznat.de\/cms1\/index.php\/downloads\/viewdownload\/7\/125\" target=\"_blank\">comparison PDF<\/a>&nbsp;with more samples.<\/p>\n\n\n\n<p>As I was a bit enamoured by its old school film look, I purchased a few cinematography short reels (17m\/55ft long) from Filmotec\u2019s Romanian distributor to bulk roll my own. In the meantime, I stumbled on some rumours that actually ORWO might not actually have their own coating facility, and that Kentmere films (and various others) might use the same emulsion\u2026<\/p>\n\n\n\n<p>So, I had to go into P.I. mode and get to the bottom of it. The trail of findings, below:<\/p>\n\n\n\n<ul>\n<li>A Swiss article (in German) from 2016 that made quite an exhaustive look into various film manufacturers and claims that Filmotec no longer has a coating facility, just an emulsion-making factory (it\u2019s Swiss German, so I can\u2019t be 100% of the translation; if there are any Swiss around, I\u2019d appreciate a&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.fotointern.ch\/wp-uploads\/2016\/07\/Filme-Marktuebersicht-Nov.2016.pdf\" target=\"_blank\">proper translation of the ORWO-related part<\/a>).<\/li>\n\n\n\n<li>More and more film rebranders using \u201ca European emulsion\u201d that always stays unnamed to coat their films. Fotoimpex clearly states that Kentmere \/ Fotoimpex CHM \/ Rollei RPX \/ Agfaphoto APX&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.fotoimpex.com\/filme\/fotoimpex-chm-400-kleinbildfilm-13536.html\" target=\"_blank\">are basically the same film<\/a>.<\/li>\n\n\n\n<li>Quite a few more reviews that Lomography\u2019s Berlin\/Potsdam films (said to be similar to Kentmere) are actually&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.alexluyckx.com\/blog\/index.php\/2019\/04\/15\/film-review-blog-no-35-lomography-berlin-400\" target=\"_blank\">ORWO\u2019s current UN54\/N74 plus films<\/a>.<\/li>\n<\/ul>\n\n\n\n<p>Long story short, I bought some Kentmere 100 and 400 to test against the ORWO UN54 and N74+ I had just purchased. Do they look the same? Are they any different? I just had to find out.<\/p>\n\n\n\n<p>In truth, the reason behind the test is quite easy \u2013 if indeed all of the the above films use the same emulsion, only coated on different bases, then I\u2019ll just buy the cheapest one next. Which for me, incidentally, is actually Agfa APX\u2019s version of the same alleged emulsion.<\/p>\n\n\n\n<p>Onto the technical details of the test:<\/p>\n\n\n\n<ul>\n<li>The same camera (shutter tested just before, all exposure times were close to perfect) was used for all shots \u2014 a Pentax Program A.<\/li>\n\n\n\n<li>The camera was on a tripod, triggered via an external shutter release to minimize shake.<\/li>\n\n\n\n<li>Lens used was a Sigma 50mm Macro at a very resolving f\/5.6.<\/li>\n\n\n\n<li>Lighting conditions were kept constant by using a Nanguang CN-T96 18W 5500k LED light source (allegedly 95+ CRI).<\/li>\n\n\n\n<li>Exposure was measured as reflected from a grey card with my (calibrated) Quantum Calcu Light XP.<\/li>\n\n\n\n<li>To adjust for the films\u2019 ISO, the shutter was used. EV (at ISO 100) was around 9 if memory serves me right\u2026 So the shutter speeds used should\u2019ve been 1\/15 (for the ISO 100 films) and 1\/60 (for the ISO 400 films).<\/li>\n\n\n\n<li>Four shots were taken on each film stock, refocusing between each shot.<\/li>\n\n\n\n<li>Development was done in two different tanks, one tank for each ISO film speed. The developer was Rodinal 1+50. 15 minutes for the ISO 100 films and 20 minutes for the ISO 400 stocks (times suggested for Kentmere). Tanks were diligently agitated in a nice and smooth helical fashion for 10 seconds every minute. The temperature was kept constant in a temperature-controlled 20C water bath.<\/li>\n<\/ul>\n\n\n\n<p>A phone (be kind, it\u2019s an old and cheap Xiaomi bugger) pic of the test setup \u2013 some minor changes have been made to the library, but the test targets and books are roughly the same:<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/emulsive.org\/wp-content\/uploads\/2020\/05\/An-old-phone-pic-of-my-library.jpg\" alt=\"Old phone pic of library\" class=\"wp-image-71182\"\/><figcaption class=\"wp-element-caption\">Old phone pic of library<\/figcaption><\/figure>\n\n\n\n<p>Everything worked out fine, so 4 minutes of fixing and 15 minutes of washing later, I took the films out, ready for the revelation\u2026 Aaaaand, poof! The ORWO films came out fogged \u2014 the 100 ISO just a bit, the 400 ISO N74 plus quite severely so.<\/p>\n\n\n\n<p>Picture of the developed films on my DIY tungsten bulb light table below \u2013 top to bottom: Kentmere 100, UN54, Kentmere 400, N74 plus (with my lovely baby daughter Maria on it, by accident).<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/emulsive.org\/wp-content\/uploads\/2020\/05\/Phone-scan-of-all-films-to-compare-fog.jpg\" alt=\"Phone scan of all films to compare fog\" class=\"wp-image-71184\"\/><figcaption class=\"wp-element-caption\">Phone scan of all films to compare fog<\/figcaption><\/figure>\n\n\n\n<p>I re-tested the ORWO film in other developers and apparently the entire short reels that I purchased and then loaded were fogged. Did I manage to fog them by keeping them for close to a year after purchase, even though I cold stored them in ziplock bags + their original metal canisters (alongside tens of other films that came out perfectly fine?) Does my darkroom have a light leak, even though I regularly process sheet films in trays without any issues (and I bulk-loaded the ORWO during the night time, to be extra safe)? Was the film improperly stored by the Romanian distributor? I\u2019ll never actually know.<\/p>\n\n\n\n<p>As I thought that the ORWO film fog would definitely put a damper on my comparative test\u2026 I just let it go, and forgot about it.<\/p>\n\n\n\n<h5 class=\"wp-block-heading\">You might be interested in&#8230;<\/h5>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/emulsive.org\/reviews\/film-reviews\/ilford-hp5-plus-vs-kodak-tri-x-400-at-ei-1600-in-the-moscow-metro-with-the-mamiya-7ii\"><img decoding=\"async\" src=\"https:\/\/emulsive.org\/wp-content\/uploads\/2020\/10\/Me-and-my-Mamiya-7ii-Aislinn-Chuahiock-v2-150x150.jpg\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\">ILFORD HP5 PLUS vs Kodak Tri-X 400 at EI 1600 in the Moscow Metro with the Mamiya 7II<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/emulsive.org\/reviews\/film-reviews\/ilford-film-reviews\/film-stock-review-kentmere-pan-400-at-ei3200-a-low-cost-high-speed-alternative-phil-harrison\"><img decoding=\"async\" src=\"https:\/\/emulsive.org\/wp-content\/uploads\/2021\/11\/DSCF0613_01-150x100.jpg\" alt=\"\"\/><\/a><figcaption class=\"wp-element-caption\">Kentmere Pan 400 at EI3200 \u2013 A low-cost, high speed alternative?<\/figcaption><\/figure>\n\n\n\n<p>A few months later, I finally decided to scan the films and see what came out. Scanning was done using my tried-and-tested DSLR scan rig that uses a Pentax KP with the same Sigma 50mm Macro f\/2.8 @ f\/6.3. Scan rig can be gawked at below, in its natural filthy habitat \u2013 is the poor thing ugly as sin and DIYed to (im)perfection? It definitely is \u2013 but then, it can properly scan anything from half frame transparencies up to 36x24cm prints, it can use any imaginable light source (currently I\u2019m using the 4700k perfect CRI Solux bulb), it can be used with any type of film holder, it\u2019s perfectly stable, and so on. Also, due to the \u201cfoil\u201d sides, it\u2019s perfectly light-tight and easy to work with (hint:&nbsp;<a href=\"https:\/\/us.rosco.com\/en\/product\/cinefoil\">Rosco Cinefoil<\/a>&nbsp;is a Godsend for photographers). And it\u2019s got wheels to move it around!&nbsp;<img decoding=\"async\" alt=\"&#x1f642;\" src=\"https:\/\/s.w.org\/images\/core\/emoji\/14.0.0\/svg\/1f642.svg\"><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/emulsive.org\/wp-content\/uploads\/2020\/05\/My-scanning-rig.jpg\" alt=\"My scanning rig\" class=\"wp-image-71183\"\/><figcaption class=\"wp-element-caption\">My scanning rig<\/figcaption><\/figure>\n\n\n\n<p>The sharpest shot+scan combination from each stock was singled out as the base for the comparison below \u2013 even so, some&nbsp;lack of sharpness&nbsp;seems to have crept in the 100 ISO film shots. Two types of negative inversions were used \u2013 an algorithmic one using Grain2Pixel (beta version, soon to hit the shelves \u2013 stay tuned, for color it\u2019s the bee\u2019s knees, IMHO) + subsequent manual edits; next, a fully manual one in&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/www.captureone.com\/\" target=\"_blank\">Capture One<\/a>. For the manual ones, the settings from the first inverted negative were copied onto the next negative with the same ISO \u2013 so K100 settings to UN54 settings, and so on.<\/p>\n\n\n\n<p>Absolutely minimal&nbsp;digital corrections were made for the minimally fogged UN54 vs&nbsp;Kentmere&nbsp;100. A bit more corrections were needed on the really fogged N74 plus. Below you will find 1200px versions of my digitisations (entire frame, resized from the original appx. 6,000x4000px TIFFs) as well as 100% crops at 1200px wide.<\/p>\n\n\n\n<p>Click\/tap to open full screen and use your keyboard\/swipe to move between frames.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Kentmere&nbsp;100 vs UN54 (entire frame)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-01-Kentmere-100-Rodinal-150-Entire-frame.jpg?ssl=1\" alt=\"Set 01: Kentmere 100 (Rodinal 1+50) - Entire frame\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-01-ORWO-UN54-Rodinal-150-Entire-frame.jpg?ssl=1\" alt=\"Set 01: ORWO UN54 (Rodinal 1+50) - Entire frame\"\/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Kentmere&nbsp;100 vs UN54 (1200px \/100% crop)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-01-Kentmere-100-Rodinal-150-1200pc-Crop.jpg?ssl=1\" alt=\"Set 01: Kentmere 100 (Rodinal 1+50) - 1200pc Crop\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-01-ORWO-UN54-Rodinal-150-1200pc-Crop.jpg?ssl=1\" alt=\"Set 01: ORWO UN54 (Rodinal 1+50) - 1200pc Crop\"\/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Kentmere&nbsp;400 vs N74 plus (entire frame)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i1.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-02-Kentmere-400-Rodinal-150-Entire-Frame.jpg?ssl=1\" alt=\"Set 02: Kentmere 400 (Rodinal 1+50) - Entire Frame\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i1.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-02-ORWO-N74-Rodinal-150-Entire-Frame.jpg?ssl=1\" alt=\"Set 02: ORWO N74+ (Rodinal 1+50) - Entire Frame\"\/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Kentmere&nbsp;400 vs N74 plus (1200px \/100% crop)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-02-Kentmere-400-Rodinal-150-1200pc-Crop.jpg?ssl=1\" alt=\"Set 02: Kentmere 400 (Rodinal 1+50) - 1200pc Crop\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-02-ORWO-N74-Rodinal-150-1200pc-Crop.jpg?ssl=1\" alt=\"Set 02: ORWO N74+ (Rodinal 1+50) - 1200pc Crop\"\/><\/figure>\n\n\n\n<p>Slightly unrelated, totally not a direct film comparison by any means and completely for my own amusement and record keeping, I also tested some Fomapan 200 Creative @ EI 160 and Adox CMS20 @ EI 25. Both were developed for 10mins in otherwise identical conditions.<\/p>\n\n\n\n<p>As with the Kentmere 400\/ORWO N74 plus above, below you will find 1200px scans of the entire frame (resized from the original appx. 6,000x4000px TIFFs) and 100% crops at 1200px wide:<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Adox CMS20 vs Fomapan 200 Creative (entire frame)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-03-ADOX-CMS20-Rodinal-150-Entire-frame.jpg?ssl=1\" alt=\"Set 03: ADOX CMS20 (Rodinal 1+50) - Entire frame\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i2.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-03-Fomapan-200-Creative-Rodinal-150-Entire-frame.jpg?ssl=1\" alt=\"Set 03: Fomapan 200 Creative (Rodinal 1+50) - Entire frame\"\/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Fomapan 200 Creative vs Adox CMS20 (1200px \/100% crop)<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i1.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-03-ADOX-CMS20-Rodinal-150-1200pc-Crop.jpg?ssl=1\" alt=\"Set 03: ADOX CMS20 (Rodinal 1+50) - 1200pc Crop\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/i1.wp.com\/emulsive.org\/wp-content\/uploads\/2020\/05\/Set-03-Fomapan-200-Creative-Rodinal-150-1200pc-Crop.jpg?ssl=1\" alt=\"Set 03: Fomapan 200 Creative (Rodinal 1+50) - 1200pc Crop\"\/><\/figure>\n\n\n\n<p>Despite the fogging, apparently this article\u2019s main comparisons \u2014 Kentmere vs equivalent ORWO films \u2014 worked to a certain extent.<\/p>\n\n\n\n<p>The similarity is less clear for the ISO 400 film because of the bad fog (worse grain and shadow detail in the N74 plus), but \u201ccolor\u201d rendering (the way various colors are translated into BW tones) look&nbsp;really similar. There seems to be a small difference in UN54 vs&nbsp;Kentmere&nbsp;100 blue vs. red rendering, and absolutely no difference for the ISO 400 films.<\/p>\n\n\n\n<p>My gut feeling is that the EI 100 films look \u201cdecently identical\u201d (in \u201ccolor\u201d rendering, grain, shadow\/highlight retention, and so on). And they all have the \u201cfilm look\u201d I was going for (or it\u2019s just confirmation bias, who actually knows).<\/p>\n\n\n\n<p>So, the bottom line is: I feel that, indeed, Kentmere\/ORWO films are either identical or \u201cclose enough for rock\u2019n\u2019roll\u201d. And as Agfaphoto\u2019s Kentmere half-brother APX 100\/400 can be found for something like 20-25% cheaper than Filmotec\u2019s (apparent) equivalent\u2026 I know what I\u2019m gonna get as the next \u201ccheap European film\u201d purchase&nbsp;<img decoding=\"async\" alt=\"&#x1f642;\" src=\"https:\/\/s.w.org\/images\/core\/emoji\/14.0.0\/svg\/1f642.svg\"><\/p>\n\n\n\n<p><strong>~ Toma<\/strong><\/p>\n\n\n\n<p>P.S. Here\u2019s a links to the original files shown here along with the two kinds of inversion&nbsp;JPG exports.&nbsp;<a href=\"http:\/\/s.go.ro\/n1ak67wf\" target=\"_blank\" rel=\"noreferrer noopener\">Download 1.44GB zip file<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The whole idea behind this article started as I was looking into finding a \u201cdaily\u201d use black and white film, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[97],"tags":[],"_links":{"self":[{"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/posts\/49"}],"collection":[{"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/comments?post=49"}],"version-history":[{"count":2,"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/posts\/49\/revisions"}],"predecessor-version":[{"id":124,"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/posts\/49\/revisions\/124"}],"wp:attachment":[{"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/media?parent=49"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/categories?post=49"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomcat.ro\/index.php\/wp-json\/wp\/v2\/tags?post=49"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}